On Alsiso:

“Grabbing the readers attention from the outset, Marie O’Regan tells of a man whose life starts to fall apart when that omnipresent word suddenly pops into his head. This is a well crafted, and intriguing tale that holds the reader from start to finish;” David Price, for www.sarahcrabtree.net.

“Marie O'Regan gives us another of the anthology's finest entries. Her protagonist, Ben, begins to hear (or imagines) 'alsiso' in everyday sounds and speech, and finds himself becoming more and more violent, which seems to go against his natural tendencies. Events come to a head when he confronts his cheating wife at her lover's flat, and we finally understand what has been happening to Ben. The chilling final sentence ends the tale on a note of inescapable horror.” David Hebblethwaite, for TheAlienOnline.

“Marie O’Regan’s story is an intriguing riff on mental illness and past deeds coming back to haunt the present, as a man’s life falls apart around him and he is left with nothing except the knowledge of who he really is and what he is capable of, chillingly real in its depiction of sexual violence and a disintegrating relationship.” Peter Tennant, for The Third Alternative, Issue 37.

“Marie O'Regan provides an enigmatic but charming story of obsession and love, where the word "alsiso" becomes a man's omnipresent mania.” Mario Guslandi, for Infinity Plus.

“A mordant character piece…” John Toon, for Infinity Plus

Marie O'Regan's 'Alsiso' is a frankly disturbing story, although very well executed, of a man who starts to hear voices, slipping into madness and alienation from his wife.” Djibril, for Future Fire.

On Sea View:

“Ms. O'Regan’s story seems to borrow something from traditional folk tales, but presents the material in a fresh and unpretentious way. The ending is a killer, and full marks to her for describing sexual acts without falling into the lazy use of cliché. Outstanding.” S. Jerome, for www.savagenight.com.

“This story was very different and very good. A strange erotic-ocean horror story. Well-told, paced just about right. I didn't find anything frightening about it though. Hey, if you've gotta go, that's not such a bad way. I was rather confused as to what was going on at the beginning of this tale. Over all a nice, soft, gentle horror story. By Bob L. Morgan, Jnr. For www.savagenight.com.

On Stay

‘Standing out is 'Stay' from Marie O’Regan, which is a story you’ll appreciate more by reading it twice. I won’t give away its plot but it’s a memorable story full of drama and intrigue.’ James Whittington, The Dark Side, Issue 110 (August/September 2004)

On Can You See Me?

Can You See Me by Marie O’Regan reads like a ghost story of sorts, but one in which there is no ghost, except whatever spirits are conjured up by guilt and remorse. The male protagonist is ‘haunted’ by a ditched girlfriend, a woman with whom he was involved in an S&M relationship. O’Regan cleverly keeps the matter of Claire’s corporeality ambiguous for much of the narrative, juggling the various strands in a way that constantly wrong foots the reader, with the true state of affairs revealed only at the end. At the story’s heart is a keenly felt subtext, embodied in the titular plea of the ‘abandoned’ woman, for recognition of individuality, to stop using other people as a means to fulfil one’s own needs. Peter Tennant, for Whispers of Wickedness (www.ookami.co.uk)

On Mirror Mere, by Rainfall Books, 2006

Mirror Mere is a collection of 18 short stories by the horror and dark fantasy writer Marie O’Regan. The collection is introduced by Paul Kane and published by Rainfall Books. Thirteen of the stories have appeared previously through such diverse media as the book series Terror Tales, genre magazines like Dark Horizons and the Internet (e.g. www.horrorlibrary.net.). Five of the stories, including the longest and for me the most engaging offering, the novella story ‘Mirror Mere’ from which the collection takes its title, are all previously unpublished.

The cover and internal modern artwork by David A Magitis attracts potential readers with its disturbing, dreamlike images. The temptation to delve within its pages is provided by writers Muriel Gray and Stephen Gallagher with descriptions such as “deliciously, satisfyingly nasty”.

But what of the stories themselves – and is the promise of a spine chilling read actually delivered. Television silenced and fortification secured in the form of a generous serving of single malt (I like to keep in touch with the spirits) I settled down to what I hoped would be an enjoyable read.

All the stories in the book are set in the ‘here and now’ and involve the ordinary mix of contemporary characters you might encounter in everyday life but whose nature or experience causes each of them to enter a different dark world in a manner that reminded me somewhat of the stories in the ‘twilight zone’. In ‘Suicide Bridge’ we meet John the suicide who, having thrown himself off said bridge encounters those now dead who jumped before him, doomed to observe and occasionally interact with the living, until the performance of some unselfish act allows them deliverance from the limbo world they occupy. Then in ‘Sea View’ there is Roger the reviewer of seaside B&B’s who enthusiastically engages in the sexual exploitation of landladies, themselves eager to secure his recommendation – until one particular seaside visit provides a fantastical sexual encounter with deadly results.

There is a strong sexual theme to several of the stories, interweaving with an exploration of death, madness and horror. Desire, lust and depravity are believably presented, as is an equally fearful descriptive of the dire results that can follow when things are taken too far, bringing in their wake suffering and even madness – this side and beyond the grave.

As I said before, the most captivating story for me is ‘Mirror Mere’, where Mike presents his wife Sue with a pretty mirror from a shop straight out of Stephen King’s ‘Needful Things’. Turns out that the mirror is capable of seduction, inducing both Mike and Sue into acts of shared, and in Sue’s case, individual eroticism. Again sexual temptation brings in its wake dire consequences. Sue is eventually sucked into the mirror and Mike has to suffer the horror of being able to see but not reach her, whilst in turn Sue encounters the creatures, humans drawn into the mirror and turned into wraiths, who inhabit the grey world in which she now finds herself. Whilst researching into the mythology of mirrors in order that he might recover Sue, Mike meets Carole, whose partner Adam has been previously lost in a similar encounter with a mirror. Together they embark on a quest to bring back Sue and Adam, only to become drawn in themselves, whence they discover the terrible truth that the mirror hides and the final fate from which none of them can ever escape.

One or two of the stories did not grab me personally. For example ‘Samedi’s child’ struck me as an element of a story, a scene from rather than the complete telling of a tale. On the whole however I found the book to be a very satisfying read and if you are looking for imaginative story telling that is disturbing and sexy at the same time, then like me you will enjoy this book. Mick Garrity, Jeff n' Joys Newsletter, Jeff n'Joys Bookshop